THEATRE *
EDUCATION * PUBLIC PROGRAMS
Incorporated 1996
The Providence Black Repertory Company (Black Rep) fosters a creative environment that celebrates the artistic
contributions of black artists throughout American history.
The Providence Black Repertory Company (Black
Rep) produces and presents artistic performances that bring people
together, provoke thought, inspire hope, and create understanding.
The Black Rep is an arts organization that provides a unique experience
inspired by the cultural traditions of the African Diaspora in
three key areas: Theater,
Education, and
Public Programs.
Founded in 1996 by Artistic/Executive Director Donald W. King,
The Providence Black Repertory Company produced its very first
stage production, The Island, on the third floor of an old print
shop in Downcity Providence. As a native Rhode Islander, King
was acutely aware of the need and responsibility to build a vital
cultural institution dedicated to making an artistic, social,
and political impact. Ten years later, in a brand new facility
that includes performance and rehearsal space as well as a beautiful
café and lounge, the Black Rep is still working towards
that goal, with programming that ranges from a Latin Jazz series,
to drumming workshops for youth, to premiers of new American plays,
to Rhode Island’s most exciting summer music festival. Across
the three program areas, there is an ongoing focus on contextualizing
the artistic work through humanities panels, discussions, printed
materials, and outreach.
The Theater experience at the Black Rep is informed by a unique
approach which places the deliberate investigation of cultural,
social, historical and political consciousness and conscience
at the center of the creative process. Seasons and productions
are curated to engage in a conversation with popular “American”
narratives, with a view towards the interrogation and re-appropriation
of this mythology. Each season includes three mainstage productions
and three readings of new American plays through the First Look
Reading Series for plays in development. Mainstage productions
have included plays by Amiri Baraka, Aisha Rahman, Athol Fugard,
Federico Garcia Lorca, Harold Pinter, Sam Shepard, Cheryl West,
Maria Irene Fornes, and August Wilson, as well as original stage
adaptations of the poetry of Langston Hughes and Kevin Young.
Each December, The Black Rep’s Affiliate Artist company
takes center stage in a workshop production showcasing their own
work in process and providing a chance for audiences to be part
of its development.
At the heart of a multi-faceted artistic vision, Black Rep’s
Public Programs present live music, poetry, and other performance-based
art of the African Diaspora six nights a week in the Xxodus Café.
The unique multi-genre format and broad spectrum of artists contribute
to the cultural literacy of the greater Providence community,
and make the Xxodus Café one of Downcity Providence’s
most popular nightly destinations. Each season of Public Programs
culminates with Sound Session, New England’s premier summer
music festival. A multi-stage, genre-defying event, the festival
is co-produced with the City of Providence’s Department
of Art, Culture, and Tourism. This transcultural celebrations
reflects the dynamic vitality of the new “American”
city and has attracted world-class artists such as Yerba Buena,
Ron Carter, and Ursula Rucker.
Education programs accompany each season’s productions.
These include student matinees, in-school residencies, and after-school
workshops. Artist Educators bring Black Rep’s interdisciplinary
approach into the community through workshops in music, dance,
theater, poetry and video production. Teaching methodologies stress
collective collaboration and value students’ cultural heritage
and experience, with the goal of developing youth and adults who
recognize the importance and power of the arts and culture of
the African Diaspora and embrace the values of community and democracy
that are part of these traditions. All of these programs come
at no cost to youth participants.
Across both youth and adult programming, Black Rep is deeply
committed to Artist Development, with plentiful opportunities
for musicians and performers to participate in master classes,
workshops, and career development activities. At the Black Rep,
diverse local artists have an opportunity to network, share resources,
and build their careers. In turn, the Black Rep has become one
of the prime venues where artists have come to gather over the
years.
Artists who look to the organization to provide them with creative
opportunities come from many different places of cultural origin.
Almost 86% are locally or regionally based in Rhode Island and
Southeastern New England, 11% are based in New York, and 3% are
based in other states, or internationally. The Company has also
attracted artists from as far as Mali, Nigeria, and Trinidad &
Tobago. Local artists involved with Black Rep represent a diverse
mix of cultural and/or ethnic heritages. They are African-American,
Haitian, Cape Verdean, Hispanic/Latino, Caribbean, Native American,
Caucasian/White, Mixed Heritage, Filipinos, and Southern Blacks.
The Black Rep is honored to have built strong partnerships and
collaborations with local cultural and educational institutions,
including Brown University’s Rites and Reason Theatre and
Rhode Island College’s MFA Program in Performance and Society.
Collaborative projects include new play development, co-production,
and mentoring of young artists.
The Black Rep’s most recent recognition was extended by
the John F. Kennedy Center of the Performing Arts, Washington
D.C. as an invitation to join their “Capacity Building Program
for Culturally Specific Performing Arts Organizations”.
Other distinguished accolades include: 2004 Arts & Business
Council of RI Jabez Gorham Award for Most Outstanding Arts Organization,
2003 New England Theatre Conference Regional Award for Outstanding
Achievement in American Theatre, and the 2003 Citizens Bank Community
Champion Award (in Education). The Black Rep has also attracted
the attention of distinguished artists, many of whom have performed
on the Black Rep stage, including Melba Moore, Ahmad Jamal, Roy
Ayers, Amiri Baraka, Sonia Sanchez, Ruby Dee, Ossie Davis, Roger
Guenveur Smith, Savion Glover, and B.B. King.
In 2006, The Providence Black Repertory Company celebrates its
10th Anniversary as a Downcity Providence cultural institution.
Through its dual mission – both artistic and civic –
The Black Rep has spent the past ten years challenging artists
and audiences with work on the vanguard, while providing the community
with widely accessible programming, connecting peoples of the
African Diaspora to each other and to civic life, and honoring
and advancing American civil rights.
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Board members
Michael S. Van Leesten
Chairman
Abu Bakr
Vice Chairman
Finance Chair
Douglas Johnson
Treasurer
Casby Harrison, Esq.
Legal Council
Sara Agniel
Joseph Costa
Jaime D'Oliviera
Ian Donnis
Wilbert Fleming
Anita Turner
Karriem Van Leesten
Raymond Watson
Kerry Wilson
Mission Statement
The Providence Black Repertory Company
produces and presents artistic performances inspired by the cultural
traditions of the African Diaspora that bring people together, provoke
thought, inspire hope, and create understanding. The Black Rep’s
dual mission – artistic and civic – provides for a unique
experience in three key areas: Theater, Education, and Public Programs.
Vision Statement
The Providence Black Repertory Company
will be an American cultural institution that is recognized nationally
and internationally for advancing the cultural contributions of
black art and artists.
Commitment
to Artists
Black Rep artists are valued for
their power to influence and transform the society around them as
well as their artistic talent. At Black Rep, artists are continually
asked to examine their civic responsibility and honor it through
creative action. Black Rep believes in cultivating talent and consciousness
side by side.
The Providence Black Repertory Company is deeply committed to artist
development. Black Rep provides artists working in art forms of
the African Diaspora with opportunities to train, create, and perform,
while serving as a home, resource center, and locus of support for
them throughout their careers.
Commitment to Humanities
An understanding of historical, cultural,
and theoretical context is an integral part of the art we present
at Black Rep. In addition to the humanities content embedded in
the programs Black Rep produces and the space in which they are
produced, Black Rep strives to take advantage of every opportunity
to provide context through dialogue, printed materials, and outreach.
Commitment
to Artistic Excellence: What We Value
Placing the deliberate investigation
of cultural, social, historical and political consciousness and
conscience at the center of our creative process.
Interrogating and re-appropriating popular narratives and mythologies
surrounding race, class, gender and culture in America.
Honoring the elements of ritual magic in the communal experience
of performance for artists and audiences.
Providing creative opportunities for collaboration, dialogue, and
the exchange and debate of ideas.
Encouraging honesty and vulnerability while being unafraid of a
creative process and product that is physically, mentally, and spiritually
muscular and confrontational.
Embracing ambiguity and multi-dimensionality.
Employing the aesthetics of surprise, risk, and virtuosity.
Fostering experimentation, innovation, and transgression.
Valuing a transformative artistic experience that is participatory,
invites deep reflection, impacts the lives of our artists and audiences,
and ultimately serves as a catalyst for change in our community.
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